Colin McPherson

Photographer and Visual Artist

Posts tagged ‘Wirral’

Winners and losers in Wirral

Counted Conservative ballot papers. Photograph © Colin McPherson, 2015 all rights reserved.

Counted Conservative ballot papers. Photograph © Colin McPherson, 2015 all rights reserved

It was a long and strange night. But then, voting in your Member of Parliament often is.

As the 2015 General Election drama unfolded across these islands, a tennis centre in Wirral became the focus of a political mini-drama. A fight-within-a-fight. On an evening when the Labour balloon slowly deflated on a giant television screen in the corner of the counting hall, Wirral West MP Esther McVey became the only Conservative government minister to lose her seat in the UK, as Margaret Greenwood sneaked home for the Labour Party with a wafer-thin majority of 400 after a recount.

The cheers and smiles of the victors masked disappointment that the swingometer in Scotland was looking more like a Richter scale while further south, the Tories were entrenching themselves at Westminister for another five years.

In the end the winner was the loser and vice versa. Funny old game, politics!

Tellers checking voting. Photograph © Colin McPherson, 2015 all rights reserved.

Tellers checking voting. Photograph © Colin McPherson, 2015 all rights reserved.

Esther McVey tackles the media. Photograph © Colin McPherson, 2015 all rights reserved.

Esther McVey tackles the media. Photograph © Colin McPherson, 2015 all rights reserved.

The Scottish swingometer. Photograph © Colin McPherson, 2015 all rights reserved.

The Scottish swingometer. Photograph © Colin McPherson, 2015 all rights reserved.

Tories watching results on TV. Photograph © Colin McPherson, 2015 all rights reserved.

Tories watching results on TV. Photograph © Colin McPherson, 2015 all rights reserved.

Wirral West candidates scrutinise votes. Photograph © Colin McPherson, 2015 all rights reserved.

Wirral West candidates scrutinise votes. Photograph © Colin McPherson, 2015 all rights reserved.

A victorious Margaret Greenwood. Photograph © Colin McPherson, 2015 all rights reserved.

A victorious Margaret Greenwood. Photograph © Colin McPherson, 2015 all rights reserved.

Labour celebrate a rare victory. Photograph © Colin McPherson, 2015 all rights reserved.

Labour celebrate a rare victory. Photograph © Colin McPherson, 2015 all rights reserved.

Esther departs, stage right. Photograph © Colin McPherson, 2015 all rights reserved.

Esther departs, stage right. Photograph © Colin McPherson, 2015 all rights reserved.

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On display

2014 looks like being remembered as being the summer which I truly made an exhibition of myself!

I am fortunate to be showing four separate bodies of work at four different venues across four cities.

Sarah Bush, pictured at her office in Liverpool where she works for HMRC. Photograph © Colin McPherson, 2014, all rights reserved.

Sarah Bush, pictured at her office in Liverpool where she works for HMRC.
Photograph © Colin McPherson, 2014, all rights reserved.

Already on show is my contribution to DaDaFest who commissioned me to make portraits on the theme of disability at work. The resulting Working Lives: Here and There exhibition is on show as part of Liverpool’s International Festival for Business and can be seen on the sixth floor of 43 Castle Street in Liverpool until 26 July. There are restricted opening times: Wednesday-Friday (12.30-5pm) and Saturday (12.30-3pm).

'Border fence, Cheviot hills, 2014' from 'A Fine Line - Exploring Scotland's Border with England'. Photograph © Colin McPherson, 2014, all rights reserved.

‘Border fence, Cheviot hills, 2014’ from ‘A Fine Line – Exploring Scotland’s Border with England’.
Photograph © Colin McPherson, 2014, all rights reserved.

On 1 July, Beyond the Border opens at Impressions Gallery in Bradford, where I will be   showing my project entitled A Fine Line, part of the Document Scotland group show.

Designed and staged by the gallery’s director, Anne McNeill, this major event is a milestone in my career: the first time my work has been fully curated. It also marks the first exhibition in England exclusively showing Document Scotland’s work. Working with Anne and the staff at Impressions on the exhibition has been both educational and enlightening and myself and my colleagues are looking forward to a terrific launch night in Bradford on Thursday 3 July. The exhibition continues until 27 September 2014. We will be staging a professional development day and artists’ talks at the gallery on Saturday 26 July.

"Is gender inequality an impediment to poverty elimination?". Photograph © Colin McPherson, 2014, all rights reserved.

“Is gender inequality an impediment to poverty elimination?”.
Photograph © Colin McPherson, 2014, all rights reserved.

Next up, the A41 Project reaches the southern end of the eponymous trunk road and will be exhibited at Free Space Gallery in Kentish Town. The show will open on 23 July and continue until 12 September (Monday to Friday 9am-6.30pm). This will be the final outing for this particular project, having previously been shown in West Bromwich, Milton Keynes and Birkenhead.

The demolition of Ravenscraig, 1996. © Colin McPherson, 2014.

The demolition of Ravenscraig, 1996. Photograph © Colin McPherson, 2014.

Finally, there’s the results of another collaboration to look forward to at the end of August when Document Scotland’s Common Ground exhibition opens at Street Level Photoworks in Glasgow. The exhibition is a partnership with Welsh collective A Fine Beginning and I will be showing a new body of work made and completed over the summer of 2014 entitled Phoenix: the fall and rise of Ravenscraig, which looks at the legacy of the giant steel mill in Lanarkshire, controversially closed down in 1992, which I photographed being demolished four years later. The exhibition runs for a couple of months and we will be staging two-days of artists’ talks, portfolio reviews and other activities on 29 and 30 August at the gallery.

I hope to see you at some of these exciting events over the next three months.

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Mersey Road

How do you capture the essence of a waterway that begins as a trickle high in England’s Peak District and empties into Liverpool Bay? A river encompassing rural beauty, industrial decay, regeneration and economic wealth. That passes major towns and cities and is a visual testament to the region’s history. That twists through undiscovered and forgotten backwaters. And that touches peoples’ lives and provides employment and enjoyment for many.

Over the course of a year, I spent so long in the river’s company that I discovered how a modern river works. It provides work for some, recreation for others and shapes the environment around it. It is the inspiration for artists and a rich historical resource for future generations.

And all the while the Mersey was a good companion to me. In the end, the river, as it has for so many people, became my friend. Continue reading…

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