Colin McPherson

Photographer and Visual Artist

Posts tagged ‘travel’

Silver jubilee time

Cardiac surgery on a newborn baby, London, 2013. © Colin McPherson, all rights reserved.

On the 14th August 1993, I emerged blinking (and slightly worse for wear) into a brave new world. Little did I imagine that 25 years later I’d be celebrating a quarter of a century of being an independent, freelance photographer.

But that day will always be etched in my memory as the start of an incredible journey. I had taken the decision to leave the security of a staff photographer’s job at the Edinburgh Evening News and now it was up to me to make a go of it. With the help of innumerable people (fellow photographers, journalists, picture editors, friends, family and the thousands of people whom I have encountered along the way), I have managed to survive, somehow, in an industry which has changed beyond recognition in the two-and-a-half decades since I loaded a roll of monochrome film into my Nikon FM2 and began my first freelance assignment – to photograph the beginning of the construction of The Church of Jesus Christ of Latter-day Saints in Alloa, Scotland.

If someone back then had said to me the words social media, smartphone, digital camera, low-cost airline, Holyrood, AppleMac, autofocus, Brexit, Dolly the sheep or English Premier League, I wouldn’t have had a clue what they were talking about. So much has changed, not just in the world around us, but in the way photographers work. But so much has stayed the same, too. The stories, characters and issues which populate our everyday lives are largely cyclical. The way we choose to illustrate them is still very familiar (many would say too much so) to the way it was back then. Men in suits still rule the world and the old enmities and adversaries have been replaced by new ones. That is not to say there haven’t been amazing strides forward and progress too. I have been lucky enough to see changes in science, technology and medicine through the lens. I have witnessed the ebb-and-flow of politics and the achievements of many sporting heroes and cultural icons too. And shared in the pain and pleasure of everyday life.

When I began my freelance career I was solely a newspaper photographer: that kept me busy all the days of the week I needed to make a good living. The intervening years has seen that industry wither and decline. But with that situation, new possibilities have opened up. Photography is a creative practice, but I didn’t realise how many times I would have to adapt my ways of working to survive and thrive. From moving location to working collectively, it has never been a straight road. All the time, however, I have tried to derive as much fun and enjoyment from making a living from what I love doing. There have been ups-and-downs, good years and bad and countless mistakes and missed opportunities. Some of the assignments I have covered I wished had never happened: bad news sells, unfortunately. But over all, it has been a pleasure and a privilege. To work on all five continents of the world, to travel to some of the planet’s most sparsely-populated and beautiful places and to meet people of all different races, religions and backgrounds – and to photograph them. It’s a dream come true. That’s what has kept me going over the last 25 years, and will hopefully do the same over the next!

In no particular oder of preference or relevance, below here are just a tiny – and random – selection of images culled from the hundreds of thousands of clicks of my shutter. Thank you for taking the time to read this and for everyone’s help, encouragement and love down the years. Finally, if you want to purchase a compendium of my work, I still  have a few of commemorative books left, marking my 20 years working for the Independent newspaper.

Salmon netsman, Scotland, 1998. © Colin McPherson, all rights reserved.

The Queen’s Baton Relay, Lesotho, 2017. © Colin McPherson, all rights reserved.

Politician Jacob Rees-Mogg, Scotland, 1997. © Colin McPherson, all rights reserved.

Dolly the Sheep, Scotland, 1997. © Colin McPherson, all rights reserved.

Paul ‘Gazza’ Gascoigne in rehabilitation, England, 2016. © Colin McPherson, all rights reserved.

Nottingham Forest football fans, England, 2015. © Colin McPherson, all rights reserved.

Sculptor Andy Scott, Scotland, 2014. © Colin McPherson, all rights reserved.

Morning exercise, Beijing, 2012. © Colin McPherson, all rights reserved.

Writer Douglas Coupland, Scotland, 2009. © Colin McPherson, all rights reserved.

Comedian Ken Dodd, England, 2008. © Colin McPherson, all rights reserved.

Foot-and-mouth crisis, England, 2001. © Colin McPherson, all rights reserved.

The remnants of East Germany, 1992. © Colin McPherson, all rights reserved.

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Summer 2018 photography courses on Easdale island

“I‘m so happy I attended the weekend photography course on Easdale island. In addition to their wealth of technical experience both Colin and Adam are patient and supportive instructors. They made sure everyone felt comfortable regardless of their experience level.”  AE, Edinburgh

We are delighted to announce the dates for four photography courses to be run on Easdale island in June and July, 2018.

Hosted and led by photographers Colin McPherson and Adam Lee, the courses will follow the same, successful format which proved so popular with participants last time round.

These short courses are aimed at people who love photography and want to take their practice to a new level. The island is our inspiration. Your teachers will help you explore what makes a great photograph and how to take one. Enjoy a restful and relaxing visit to one of Scotland’s hidden treasures – Easdale island.

We look forward to welcoming you to Easdale island, a stunning and unique location on Scotland’s west coast which will inspire you. Our aim is to share our knowledge and experience with you, to spark your creativity and to give you the confidence to explore new ways of seeing and making photographic images.

The course is run over two full days (three nights), and allows you time and space to explore and photograph. You will be given one-on-one support and the opportunity to share and discuss their work with others in the group.

Esdale-pano-01

Easdale is a lively place, with plenty to see and do, both on the island and in the immediate area. Once the centre of the Scottish slate mining industry, the abandoned quarries and tiny white-washed cottages give the place an historic atmosphere. Access to the island is via a three-minute passenger ferry which serves as a lifeline for the 65 permanent inhabitants. There are no cars on this inner-Hebridean island, but it does have a pub, tearoom/restaurant, museum and plenty of people coming and going. Set against dramatic coastal and mountain scenery, it is the perfect place to get inspired and take stunning photographs. It can be reached by train on the dramatic and beautiful railline from to Oban, or is a pleasant two-and-a-half hour drive from Glasgow.

The course is hosted and run by professional photographers Colin McPherson and Adam Lee, both of whom have distinguished careers and a wealth of experience in teaching and running practical photography workshops. Participant numbers will be between five and six per course and you will be accommodated in one of two beautiful cottages (Chattan and An Rubha) which look out over the Firth of Lorne to the neighbouring island of Mull. Each participant will have his/her own separate bedroom.

We welcome anyone on to the course who has an interest in taking photographs, even if your chosen camera is a Smartphone. Although there will not enough time to teach individuals about the basics of cameras, we can offer to guide you in many of the basic rules of image making which will help you  create stunning pictures.

Your arrival will be timed for late-afternoon on the eve of the course. We will use this time to introduce ourselves and each other, eat, relax, chat about photography and fimilarise ourselves with our surroundings. We’ll even have some fun doing light painting, using long exposures and flashlights to create beautiful images at twilight. The following morning, we begin our journey.

“I just wanted to say again how much I enjoyed the course, a truly inspiring experience… I’ve been doing lots of reflecting about what we covered and trying to put it into practice!”
SM, Argyll

On Day 1 we will look at simple, practical techniques to improve your photography skills… including best ways of composing photographs (the rues and how to break them!), understanding the light and photographing people. The day will be a mixture of easy-to-follow teaching and practical exercises which can benefit your existing skills. You will have time and space to explore the island and take as many photographs as you want. The day will be broken into three, with refreshments and advice available throughout.

On Day 2 we will put what you have learned into practice… we would like you to set yourself a little project for the day: whether it be a human-interest story, a set of themed landscapes (or seascapes?) or indeed anything which has sparked your interest. We can advise you on how to tell stories through multiple images, portraiture and how to create your own distinctive, personal style of photography.

Each participant will have plenty of time each day to put what they have learned into practice and you will be encouraged to make and share their work with the other participants at the end of each day. Adam and Colin always on hand to offer advice, guidance and cups of tea. There will also be plenty of down time – an opportunity to socialise and share stories and experiences – and to ask lots of questions. We’ll talk about what inspires us to take photographs, how we can turn ideas into stories and how to undertake and complete projects. You will have the chance to have your portfolio reviewed by both Adam and Colin, so please bring some examples of your work with you if you wish.
Meet the tutors…
Colin McPherson – www.colinmcpherson.com
Born in Edinburgh, Colin McPherson has been photographing at home and abroad for a quarter of a century. He undertakes long-term projects alongside commissions and assignments for a number of newspapers and magazines and is represented by the Getty agency. He was a major contributor to the The Independent for over two decades, covering news, features, sport and entertainment for the paper. In 2012, he was a founder member of the Document Scotland photography collective. His work is published internationally and held in archives and collections such as the Scottish national photographic archive. His photography has been featured in more than 30 solo and group exhibitions and his project entitled When Saturday Comes was shown as part of Document Scotland’s The Ties That Bind exhibition at the Scottish National Portrait Gallery in Edinburgh from September 2015 until April 2016. He is currently on a year-long assignment that is taking him to all five continents of the world, including working in more than 35 countries, which will be completed in April, 2018.

Kinnaber, 2000. © Colin McPherson, all rights reserved.

Mull, 2009. © Colin McPherson, all rights reserved.

Eigg, 2004. © Colin McPherson, all rights reserved.

Holm Show, 2013. © Colin McPherson, all rights reserved.

Adam is a freelance photographer and photography facilitator based in Liverpool. His work has been published in a number of national newspapers including the Observer, the Independent on Sunday as well as commissions for other magazines such as Aeon and Earthlines and clients such as Granta. Aside from commissioned work, Adam also undertakes personal projects, which have been exhibited across the North West of England. As a facilitator Adam works with a wide range of groups including adult and young people. His clients include Blackpool Museum, Liverpool City Council, Preston City Council, The Library of Birmingham, Redeye the Photography Network, Halton Borough Council and Halton CGG amongst others. Much of this work involve teaching photography skills to groups so that they can tell their own stories and advocate for the issues that affect them. Adam has received Art Council England funding for a number of these projects. Recently, Adam has started undertaking long distance walks, which included walking 600 miles along the Pamir Highway in Central Asia. He is currently working to train a donkey to walk the length of Britain in 2018. Adam has written extensively about his adventures.

You will stay on the island for three nights and departure will be on the morning after day two of the course.
What is included:
  • All teaching, guidance and encouragement to take great photographs. We have a large communal lounge with big screen for looking at and reviewing work. Theory and practice will take place both inside and outside, so come prepared to be on the move.
  • Your accommodation. We have six bedrooms for participants, in two separate cottages, Chattan and An Rubha. (Adam and Colin will stay in separate accommodation on the island). Each cottage has its own well-equipped kitchen, generously-sized bathroom and communal area for socialising. Both cottages have gardens, with Chattan also having a patio to the rear.
  • Meals. The following will be offered as part of the course fee: continental breakfasts on the three mornings of your stay, including day of departure. A light lunch, consisting of soup, sandwiches and salad on each of two full days of the course. Two simple evening meals, which will be eaten communally. Tea, coffee and soft drinks will be provided.  On the third evening, we recommend the short trip to the island’s award-winning Puffer restaurant to sample some of the finest local seafood and other produce from Argyll. We encourage all the participants to join us for the meal (this is not included in the course fee).
  • We can arrange free travel to-and-from Oban, the nearest major town to Easdale island (15 miles by road). Oban has railway and bus stations and is a two-and-a-half hours drive from Glasgow airport.
What is not included:
  • Travel to and from Easdale island. You will be asked to make your own way to either Oban or down to the island and to time your arrival for the late afternoon before the day the course commences.
  • Cameras and other equipment for your use. We recommend you bring your own camera, with a small selection of lenses if appropriate, a tripod or stabiliser, flashlight and suitable clothing for all weathers, including robust footwear. Either a laptop or external hard-drive to store images is essential.
  • Your personal insurance. Easdale Experiences, who are facilitating the courses, have all the necessary insurance policies in place for your protection, however, we recommend you have your own travel and personal insurance in the event that you are unable to attend the course after booking, are delayed in your arrival/departure or that your equipment becomes faulty or damaged.
We are offering courses on the following two dates:
Saturday 23rd until Tuesday 26th June, 2018
Wednesday 27th until Saturday 30th June, 2018
Saturday 30th June until Tuesday 3rd July, 2018
Wednesday 4th until Saturday 7th July, 2018 – all are three night stays on the island.
We are delighted to offer places on either course for a fee of £375.
Payment can be made by bank transfer, credit/debit card or PayPal and once accepted on to one of the courses, participants would be asked to pay 50% immediately to secure your place, with the balance due by two months before the course. Cancellations and refunds will be possible, however, deductions would apply.
We look forward to hearing from you. If you have any questions, wish to know more about the island, the course or the teachers, please get in touch using the form below.
“Thank you for organising such an enjoyable and stimulating trip, and for all the patient teaching and encouragement that you and Adam offered.”  MD, Manchester
“This was a fantastically engaging course which I couldn’t recommend enough for a person of any level of experience to do. Colin and Adam were excellent hosts and teachers.”  EC, East Lothian

Join the converstation on our Easdale Island Photography Courses Facebook page.

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On the move in Pakistan

In the dry heat and dust, they are moving. In motion. Going places.

Just an average morning in the historic Punjabi city of Lahore, Pakistan’s cultural capital.

People on the move. Things to do. Quick, quick. Hurry hurry.

© Colin McPherson, 2017 all rights reserved.

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Choice. Change. Contradiction

Travel, they say, broadens the mind. It also focuses it.

My current leg on foreign assignment is taking me through nine countries. Each, naturally, is diverse and unique. So far from what is familiar to me, I look for what I recognise. Traces and places of something I know. The common strand through this section of what was once termed the New World, is that of migration. Of journeying, whether by choice, coercion or necessity. Of finding pastures new, or a refuge, or a place to build a future. Everywhere, people on the move, historically, contemporary, singularly or as part of a mass movement which redefines the host and the guest.

Individuals who represent great cultures swept through here. Columbus is everywhere. Gesturing, pointing, settling and unsettling. As quickly as one representative of a distant Spanish monarch appears, a whole community of Mayans disappears, their oral evidence diluted and forgotten.

I take my identity with me on this journey, but bit-by-bit, I shed it. The colonisation of countries, which has led to the ethnic mash up on small Caribbean islands. Vast swathes of Canada redefined by white European settlers, many of them who were driven from their land in Scotland. First Nation becoming one nation, but only slowly as the yoke of history is loosened and an understanding gained of the past. I find it hard to identify with where I am beyond a commonality with people, bonds of new friendships. But in these small steps, I also lose my old skin.

In the church in Bermuda. On the wall of a bar in Jamaica. In the street name in Vancouver. In the business in Belize. Familiar and yet foreign, a tiny drip of memory, like liquid, squeezed from the past, drying and dying, yet nurturing new life. Facing forward. Yet mindful of the past.

Traders, exploiters, immigrants, slaves, soldiers, tourists. They have all been here. Now it’s my turn. When my footprints have faded and the photographs forgotten, the timeless energy of humanity will continue. Change. Contradiction. Challenge. It’s always faced us and always will.

A final splash in warm water. A chance to forget the past. For the communities around me it’s a constant process of new dawn, fresh beginnings. For me, I’ll just go on my way.

Hamilton, Bermuda. Photograph © Colin McPherson, 2017 all rights reserved.

Hamilton, Bermuda. Photograph © Colin McPherson, 2017 all rights reserved.

Victoria BC, Canada. Photograph © Colin McPherson, 2017 all rights reserved.

Victoria BC, Canada. Photograph © Colin McPherson, 2017 all rights reserved.

Vancouver, Canada. Photograph © Colin McPherson, 2017 all rights reserved.

Vancouver, Canada. Photograph © Colin McPherson, 2017 all rights reserved.

Approaching Belize. Photograph © Colin McPherson, 2017 all rights reserved.

Belize. Photograph © Colin McPherson, 2017 all rights reserved.

Menonites, Belize. Photograph © Colin McPherson, 2017 all rights reserved.

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On the Road

“The great difference between voyages rests not with the ships, but with the people you meet on them.” – Amelia E. Barr.

These images represent a collection of my favourite places, people and memories from over 25 years on the road with my camera.

Each photograph documents a time and a place, and holds a particular significance for me. Some were taken on assignment, others whilst travelling or on holiday. Continue reading…

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