Cardiac surgery on a newborn baby, London, 2013. © Colin McPherson, all rights reserved.
On the 14th August 1993, I emerged blinking (and slightly worse for wear) into a brave new world. Little did I imagine that 25 years later I’d be celebrating a quarter of a century of being an independent, freelance photographer.
But that day will always be etched in my memory as the start of an incredible journey. I had taken the decision to leave the security of a staff photographer’s job at the Edinburgh Evening News and now it was up to me to make a go of it. With the help of innumerable people (fellow photographers, journalists, picture editors, friends, family and the thousands of people whom I have encountered along the way), I have managed to survive, somehow, in an industry which has changed beyond recognition in the two-and-a-half decades since I loaded a roll of monochrome film into my Nikon FM2 and began my first freelance assignment – to photograph the beginning of the construction of The Church of Jesus Christ of Latter-day Saints in Alloa, Scotland.
If someone back then had said to me the words social media, smartphone, digital camera, low-cost airline, Holyrood, AppleMac, autofocus, Brexit, Dolly the sheep or English Premier League, I wouldn’t have had a clue what they were talking about. So much has changed, not just in the world around us, but in the way photographers work. But so much has stayed the same, too. The stories, characters and issues which populate our everyday lives are largely cyclical. The way we choose to illustrate them is still very familiar (many would say too much so) to the way it was back then. Men in suits still rule the world and the old enmities and adversaries have been replaced by new ones. That is not to say there haven’t been amazing strides forward and progress too. I have been lucky enough to see changes in science, technology and medicine through the lens. I have witnessed the ebb-and-flow of politics and the achievements of many sporting heroes and cultural icons too. And shared in the pain and pleasure of everyday life.
When I began my freelance career I was solely a newspaper photographer: that kept me busy all the days of the week I needed to make a good living. The intervening years has seen that industry wither and decline. But with that situation, new possibilities have opened up. Photography is a creative practice, but I didn’t realise how many times I would have to adapt my ways of working to survive and thrive. From moving location to working collectively, it has never been a straight road. All the time, however, I have tried to derive as much fun and enjoyment from making a living from what I love doing. There have been ups-and-downs, good years and bad and countless mistakes and missed opportunities. Some of the assignments I have covered I wished had never happened: bad news sells, unfortunately. But over all, it has been a pleasure and a privilege. To work on all five continents of the world, to travel to some of the planet’s most sparsely-populated and beautiful places and to meet people of all different races, religions and backgrounds – and to photograph them. It’s a dream come true. That’s what has kept me going over the last 25 years, and will hopefully do the same over the next!
In no particular oder of preference or relevance, below here are just a tiny – and random – selection of images culled from the hundreds of thousands of clicks of my shutter. Thank you for taking the time to read this and for everyone’s help, encouragement and love down the years. Finally, if you want to purchase a compendium of my work, I still have a few of commemorative books left, marking my 20 years working for the Independent newspaper.
Salmon netsman, Scotland, 1998. © Colin McPherson, all rights reserved.
The Queen’s Baton Relay, Lesotho, 2017. © Colin McPherson, all rights reserved.
Politician Jacob Rees-Mogg, Scotland, 1997. © Colin McPherson, all rights reserved.
Dolly the Sheep, Scotland, 1997. © Colin McPherson, all rights reserved.
Paul ‘Gazza’ Gascoigne in rehabilitation, England, 2016. © Colin McPherson, all rights reserved.
Nottingham Forest football fans, England, 2015. © Colin McPherson, all rights reserved.
Sculptor Andy Scott, Scotland, 2014. © Colin McPherson, all rights reserved.
Morning exercise, Beijing, 2012. © Colin McPherson, all rights reserved.
Writer Douglas Coupland, Scotland, 2009. © Colin McPherson, all rights reserved.
Comedian Ken Dodd, England, 2008. © Colin McPherson, all rights reserved.
Foot-and-mouth crisis, England, 2001. © Colin McPherson, all rights reserved.
The remnants of East Germany, 1992. © Colin McPherson, all rights reserved.
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