You’ve listened to the song. You’ve read the magazine. Now, see the exhibition.
When Saturday Comes, a collection of my photographs from around the grounds of Scottish football, opens later this month at the Scottish National Portrait Gallery in Edinburgh.
The selection to be shown was chosen by the gallery’s Curator of International Photography Anne Lyden and helps form an exhibition entitled The Ties That Bind which presents the work of the four members of Document Scotland, the collective I helped form in 2012.
The title of my collection comes from the name of the football magazine which commissioned me to take the photographs. Over the last decade, I have been fortunate to work as one of the main contributing photographers for When Saturday Comes. My involvement with the monthly publication actually started in the 1980s, long before I took up a camera in anger, when I wrote occasional features for them. As co-editor of a notorious football fanzine, my views on Scottish football found a wider audience with the magazine’s UK-wide circulation. Ten years ago, I covered fans’ team FC United of Manchester’s first-ever match for the Observer and the photos came to the attention of When Saturday Comes. Since then, I have been to matches on their behalf at home and abroad, covering everything from Champions’ League and internationals to the lowest rungs of organised competitive football. My heart is always in the lower and non-League game, and this is reflected in the content of When Saturday Comes, the exhibition.
One of the most interesting aspects of the curatorial process of putting together the When Saturday Comes series, was that Anne Lyden is not a football fan, therefore she approached the subject from a different perspective to me. Her choices were fascinating to see but very much reflected my main interest in the sport: the smaller clubs in Scotland, often sustained by a hardcore of dedicated administrators, volunteers and supporters, whose commitment to their teams is something I am familiar through involvement with my own club, Edinburgh City.
I hope you can find time to visit the exhibition: the contributions of my Document Scotland colleagues Jeremy Sutton Hibbert (Unsullied and Untarnished), Sophie Gerrard (Drawn to the Land) and Stephen McLaren (A Sweet Forgetting) form part of a unique and diverse view of life in Scotland today, and look at our nation and its identity through the common riding festivals in the Borders, the life and work of women farmers and the links between Scotland, Jamaica and slavery.
The show opens on Saturday 26th September, 2015 and there are artists’ talks that day by all four Document Scotland photographers. The show runs right through until 24th April next year and takes place in the Robert Mapplethorpe Gallery at the SNPG. Admission is free.
Document Scotland: The Ties That Bind is part of the IPS (Institute for Photography in Scotland) 2015 Season of Photography, a series of exhibitions and events taking place across Scotland from April to September 2015.
Colin McPherson and Document Scotland would like to acknowledge and thank Creative Scotland and the University of St. Andrews Library’s Special Collection for supporting the making of the work for The Ties That Bind.