2014 looks like being remembered as being the summer which I truly made an exhibition of myself!
I am fortunate to be showing four separate bodies of work at four different venues across four cities.
Already on show is my contribution to DaDaFest who commissioned me to make portraits on the theme of disability at work. The resulting Working Lives: Here and There exhibition is on show as part of Liverpool’s International Festival for Business and can be seen on the sixth floor of 43 Castle Street in Liverpool until 26 July. There are restricted opening times: Wednesday-Friday (12.30-5pm) and Saturday (12.30-3pm).
On 1 July, Beyond the Border opens at Impressions Gallery in Bradford, where I will be showing my project entitled A Fine Line, part of the Document Scotland group show.
Designed and staged by the gallery’s director, Anne McNeill, this major event is a milestone in my career: the first time my work has been fully curated. It also marks the first exhibition in England exclusively showing Document Scotland’s work. Working with Anne and the staff at Impressions on the exhibition has been both educational and enlightening and myself and my colleagues are looking forward to a terrific launch night in Bradford on Thursday 3 July. The exhibition continues until 27 September 2014. We will be staging a professional development day and artists’ talks at the gallery on Saturday 26 July.
Next up, the A41 Project reaches the southern end of the eponymous trunk road and will be exhibited at Free Space Gallery in Kentish Town. The show will open on 23 July and continue until 12 September (Monday to Friday 9am-6.30pm). This will be the final outing for this particular project, having previously been shown in West Bromwich, Milton Keynes and Birkenhead.
Finally, there’s the results of another collaboration to look forward to at the end of August when Document Scotland’s Common Ground exhibition opens at Street Level Photoworks in Glasgow. The exhibition is a partnership with Welsh collective A Fine Beginning and I will be showing a new body of work made and completed over the summer of 2014 entitled Phoenix: the fall and rise of Ravenscraig, which looks at the legacy of the giant steel mill in Lanarkshire, controversially closed down in 1992, which I photographed being demolished four years later. The exhibition runs for a couple of months and we will be staging two-days of artists’ talks, portfolio reviews and other activities on 29 and 30 August at the gallery.
I hope to see you at some of these exciting events over the next three months.